{"id":1216,"date":"2020-03-23T15:22:44","date_gmt":"2020-03-23T15:22:44","guid":{"rendered":"https:\/\/kioomars-musayyebi.com\/?page_id=1216"},"modified":"2025-09-03T20:46:50","modified_gmt":"2025-09-03T20:46:50","slug":"divan-quartett","status":"publish","type":"page","link":"https:\/\/kioomars-musayyebi.com\/en\/projekte\/divan-quartett\/","title":{"rendered":"Divan Quartett"},"content":{"rendered":"<h1 class=\"wp-block-heading has-text-align-center\"><a href=\"http:\/\/www.susanne-schoenwiese.de\" target=\"_blank\" rel=\"noopener nofollow\" title=\"Divan Quartett\">Divan Quartett<\/a><\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">Divanquartett&nbsp;nennt sich das neue Ensemble um die S\u00e4ngerin und Stimmimprovisatorin&nbsp;<a href=\"http:\/\/www.susanne-schoenwiese.de\" title=\"Susanne Sch\u00f6nwiese\" rel=\"nofollow noopener\" target=\"_blank\">Susanne Sch\u00f6nwiese<\/a><strong>&nbsp;<\/strong>\u2013&nbsp; mit ihrem Weggef\u00e4hrten&nbsp;Willi Lichtenberg&nbsp;(Kontrabass) begibt sie sich seit Jahrzehnten immer wieder in den Austausch mit Instrumentalisten anderer Kulturkreise.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In ihrem aktuellen crossover-Projekt sind ihre Gegen\u00fcber und Austauschpartner der Perkussionist&nbsp;<a href=\"https:\/\/www.hadi-alizadeh.com\" title=\"Hadi Alizadeh\" rel=\"nofollow noopener\" target=\"_blank\">Hadi Alizadeh<\/a>&nbsp;und der Santur-Spieler&nbsp;<a href=\"https:\/\/kioomars-musayyebi.com\/en\/\" title=\"Kioomars Musayyebi\">Kioomars Musayyebi<\/a>, deren Selbstverst\u00e4ndnis als improvisierende &#8222;Welt-Musiker&#8220; aus der persischen Musiktradition erwachsen ist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;\u201eSusanne Sch\u00f6nwiese z\u00e4hlt in der Jazzszene der Metropolregion zu den Ausnahmeerscheinungen. Gibt es doch f\u00fcr diese stimmstarke und charismatische Chanteuse weder Stil- noch Ausdrucksgrenzen.\u201c Hans von Draminski\/ NN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Susanne Sch\u00f6nwiese, die sich mit gro\u00dfer Experimentierlust in Oberton-Sph\u00e4ren mit derselben Leichtigkeit aufh\u00e4lt wie in tieferen Lagen. Immer wieder vermag sie zu \u00fcberraschen und zu ber\u00fchren mit ihrer Stimme, die rau ist und samtig, sinnlich, vibrierend und frech, filigran schwebend und erdig. BIRGIT N\u00dcCHTERLEIN\/ NN&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eWas f\u00fcr eine wunderbar wechselwarme Stimme, frisch, frech, \u00fcbersprudelnd, aber auch dunkel und geheimnisvoll, die da \u00fcber imagin\u00e4re Wiesen verschiedenster Stimmtechniken zwischen Orient und Okzident und auf der Grenze zwischen Jazz und Weltmusik wandelt\u2026\u201c&nbsp;Cathrin Alisch\/ Folker<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.susanne-schoenwiese.de\" rel=\"nofollow noopener\" target=\"_blank\">www.susanne-schoenwiese.de<\/a><br><\/p>","protected":false},"excerpt":{"rendered":"<p>Divan Quartett Divanquartett&nbsp;nennt sich das neue Ensemble um die S\u00e4ngerin und Stimmimprovisatorin&nbsp;Susanne Sch\u00f6nwiese&nbsp;\u2013&nbsp; mit ihrem Weggef\u00e4hrten&nbsp;Willi Lichtenberg&nbsp;(Kontrabass) begibt sie sich seit Jahrzehnten immer wieder in den Austausch mit Instrumentalisten anderer Kulturkreise. In ihrem aktuellen crossover-Projekt sind ihre Gegen\u00fcber und Austauschpartner der Perkussionist&nbsp;Hadi Alizadeh&nbsp;und der Santur-Spieler&nbsp;Kioomars Musayyebi, deren Selbstverst\u00e4ndnis als improvisierende &#8222;Welt-Musiker&#8220; aus der persischen Musiktradition [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":17,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1216","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/kioomars-musayyebi.com\/en\/wp-json\/wp\/v2\/pages\/1216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kioomars-musayyebi.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kioomars-musayyebi.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kioomars-musayyebi.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kioomars-musayyebi.com\/en\/wp-json\/wp\/v2\/comments?post=1216"}],"version-history":[{"count":0,"href":"https:\/\/kioomars-musayyebi.com\/en\/wp-json\/wp\/v2\/pages\/1216\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/kioomars-musayyebi.com\/en\/wp-json\/wp\/v2\/pages\/17"}],"wp:attachment":[{"href":"https:\/\/kioomars-musayyebi.com\/en\/wp-json\/wp\/v2\/media?parent=1216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}